Thursday, November 1, 2007
Description
Series “PaperWorks” by Richard Jochum. 2007. Paper, photographs, digital fine art prints, 16 x 20 inches.
This series of work is based on a visual investigation: What happens when we unfold paper that we just crumpled? It will inherit visual memories and stretch-marks of what just happened to it, yet never return to its original two-dimensional state unless re-presented as a photograph. “Paper Works” are photographic prints that capture the story of these marks. Playfully going back and forth between the two- and three- dimensional space the series enacts what could be the difference between photography and sculpture, between history and memory.
I started this series early this year, got a lot of positive feedback, curious to continue to discover where ever the journey takes me.
This series of work is based on a visual investigation: What happens when we unfold paper that we just crumpled? It will inherit visual memories and stretch-marks of what just happened to it, yet never return to its original two-dimensional state unless re-presented as a photograph. “Paper Works” are photographic prints that capture the story of these marks. Playfully going back and forth between the two- and three- dimensional space the series enacts what could be the difference between photography and sculpture, between history and memory.
I started this series early this year, got a lot of positive feedback, curious to continue to discover where ever the journey takes me.
Artist Statement
(1) Although trained as a sculptor I see myself as a media artist. That means that my work is not limited to a single material, it includes all sorts of media. In a recent exhibition for instance I was showing 25 new installations: photography, objects, drawings, and video.
(2) I believe in the power of art. I think art continually has to find new images for the time we live in. For the conditions and issues we deal with: existentially, politically, physically, and globally. Searching such images is what I am aiming for.
(3) Going back and forth between knowing and doing feeds what we ultimately call culture. It is important to me to be involved in art practice from both a theoretical and practical stance. I usually get most inspired by artwork that comes from a balance between aesthetic form and conceptual content.
(4) My artwork is often based on some sort of humor. I like it when serious things come with a wink. It makes it easier to deal with, to digest, and to further construct.
(5) I do believe in an intriguing encounter between art producers and the public. To embrace education is a rewarding way to expand our creativity. Audiences can make us learn better, and see things we would not have known of. I understand both, intelligence and creativity to be profoundly social.
Richard Jochum, New York 2005-2007
(2) I believe in the power of art. I think art continually has to find new images for the time we live in. For the conditions and issues we deal with: existentially, politically, physically, and globally. Searching such images is what I am aiming for.
(3) Going back and forth between knowing and doing feeds what we ultimately call culture. It is important to me to be involved in art practice from both a theoretical and practical stance. I usually get most inspired by artwork that comes from a balance between aesthetic form and conceptual content.
(4) My artwork is often based on some sort of humor. I like it when serious things come with a wink. It makes it easier to deal with, to digest, and to further construct.
(5) I do believe in an intriguing encounter between art producers and the public. To embrace education is a rewarding way to expand our creativity. Audiences can make us learn better, and see things we would not have known of. I understand both, intelligence and creativity to be profoundly social.
Richard Jochum, New York 2005-2007
Short Biography
Richard Jochum is a Visiting Scholar and Artist in Residence at Columbia University. He works as a media artist since the late 1990s setting up exhibitions all over the world. Being an Austrian citizen Richard received his MA in philosophy from the University of Innsbruck, and his PhD from the University of Vienna dealing with strategies of coping with complexity in contemporary philosophy. He got his MFA in sculpture and media art from the University of Applied Arts in Vienna before he moved first to Berlin and later to New York. Richard’s art practice is accompanied by lectures in the field of contemporary art practice and cultural theory. He has been awarded several grants and prizes. One of his most recent installation - an oversized prayer necklace as a communal sculpture – is exhibited on the roof top of the American University in Cairo, March – 2007. More information can be found at http://richardjochum.net
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